Bestselling Author Jennifer L. Hart/Jenna McCormick

Browsing book titles, my gaze screeched to a stop at The Misadventures of the Laundry Hag cozy mystery series by author Jennifer L. Hart. In this on-going series, the lead character Maggie is the wife of a former Navy SEAL and adoptive mother of two (one of whom is a twelve-year-old growing faster than his common sense) who takes on cleaning jobs to help pay the mounting household bills. Though instead of sweeping dirt under the carpet, Maggie has a knack of uncovering mysteries not everyone else seems to find mysterious. But, true to amateur sleuths everywhere, Maggie’s instincts and perseverance win out in her humorous forays into crime solving. 

The easy style of writing and pure enjoyment of the prose led me to want to know more about the author. Hart, it turns out, is actually the alter ego of romance and fantasy author Jenna McCormick. Hart’s novel “Redeeming Characters,” the story of two writers plotting revenge and love, both on and off the pages, garnered awards and reader interest. Her futuristic novel “Stellar Timing” likewise captured recognition within the industry. 

Born on Sanibel Island, McCormick, a real life former navy wife and mother of two, writes full time. In July 2012, the offbeat and highly entertaining “Daisy Dominatrix Volume 1” (Hart) was released, and in August came “River Rats” (Hart). “River Rats,” set in upstate New York, brings together a park ranger, a waitress, and deadly events that may end any possibility of love before it begins. Due out January 29th is “No Mercy” (McCormick) a science fiction fantasy story of two people lust throws together, and a secret that forces the couple to become untrusting allies in a fight for survival. 

McCormick/Hart’s imagination and willingness to explore genres provides readers with a wide array of reading potential and hours of entertainment. Check her out. I think you’ll be glad you did.

http://www.authorjennamac.com/ http://www.jenniferlhart.com/  

Q) The obvious question: Why continue to write under both names, and, do the two personas ever conflict? 

A) Do the two personas ever conflict? Like female wrestlers in a pit full of Jell-O. Honestly, I started writing mysteries because it was more family appropriate entertainment, things I wanted to read and write and would be proud to have my name on and to tell everyone about. But I held myself back for fear of what family and friends might think. The Jenna persona doesn’t like to be constrained though, she’s all sensationalism, 24/7. My Id. So Jennifer writes when I’m feeling a little more wholesome—or as wholesome as I ever get—and Jenna for the rest of the time.  

Q) You’re primarily a romance author, so, what inspired The Misadventures of the Laundry Hag mystery series? 

A) Actually, I started with the mysteries. I grew up reading Mary Higgins Clark so it seemed more natural. But I became more and more fixated on how my protagonists interacted and one thing led to another…cue the Barry White. 

I’d just moved into a new home in a new state and had a bazillion (the technical term) boxes to unpack for what felt like the bazillionth time. Hazard of the navy wife mantle. I started thinking about how much I wished someone else would do this crap for me. But then I didn’t want anyone to see my dirty little secrets. That led me to thinking about the things other people might have to hide. Thus, the laundry hag was born. 

Q) “No Mercy” is actually the second in a series, the first book being “No Limits.” What’s the common thread in these particular stories? 

A) Both “No Limits” and “No Mercy” are futuristic erotic romance, set in the same world, or in this case universe. The hero from “No Mercy”, Zan the immortal space pirate, actually showed up in “No Limits” and wouldn’t go away until he had his story told.  

Q) Like a growing number of authors, you publish both with well-known publishers and independently. What benefits do you believe you derive from pursuing both avenues? 

A) Not every story is going to have a wide enough audience to attract a mainstream publisher. That doesn’t mean it shouldn’t be told though. I like to take risks in my writing, push the envelope and create something brand spanking new. Take “Who Needs A Hero?” It’s the story of Maggie and Neil from my Laundry Hag series. In that book I give both the main characters their own first person point of view. I was told this was not done and took pride in doing it anyway. Since the characters were already attached to the mysteries, publishers didn’t know what to do with them, where to shelve them or if it would be worth the risk. Enter self-publishing as ebooks and I have a bestseller that might not have seen the light of day otherwise.  

As an author, there is nothing like the feeling of walking into a bookstore and picking up a copy of your own book. Knowing the story will reach a wider audience then it could even online is a major point of pride for me. I like giving my readers options. 

Q) Any parting comments for fans and readers not familiar with your stories yet? 

A) For my fans, thank you for reading. I couldn’t do what I do without you and I am grateful for every review, recommendation and fan letter I receive. For everyone else, I know your time is valuable and I hope to make it a little more entertaining. I’m currently working on another installment of Jenna McCormick’s “Caught Up In You,” contemporary billionaire erotic romance serial and “No Escape,” the third in the “No Limits” series. Afterwards, I’ve got a new mystery planned, so there will be a wide variety to choose from. I blog, I facebook, I tweet, under both names and I would love to hear from you!

DA Kentner is an author and journalist www.kevad.net

NYT Bestselling Author Kevin J. Anderson

Kevin J. Anderson is a #1 internationally bestselling author with over 120 books to his credit. A multi-award-winning writer, he has been called upon to write spin-off stories for Star Wars, Dune, The X-Files, Batman and Superman, Titan A.E., and StarCraft. Comic book fans may be familiar with Anderson’s Star Wars, Predator, Justice Society, and Star Trek comics.

None of those works would have happened if Anderson didn’t possess genuine, true talent and blazed his own unique and enduring path into readers’ hearts. “Resurrection, Inc.”, Anderson’s first disturbingly entertaining walking-dead novel, arrived in readers’ hands in 1988. The author’s masterful prose, captivating characters, and skillful plotting threw open a storytelling door that readers have been returning to ever since.

Though Anderson has co-authored several books with varying authors such as “Frankenstein: Prodigal Son” with Dean Koontz, “Clockwork Angels: The Novel” with Neil Peart from legendary rock group Rush, and the new “Dune” novels with Brian Herbert, Rebecca Moesta can lay claim to the greatest collaboration with Anderson as she not only has co-authored nine novels and/or series with him, but agreed to marry him. They just celebrated their 21st wedding anniversary.

Prolific by every definition of the word, this year Anderson has produced the steampunk historical “The Martian War,” a sci-fi audiobook “Tau Ceti,” in which Anderson himself performs, “Sisterhood of Dune” with Brian Herbert, and other stories. But 2012 has also seen the author’s return to a genre that first garnered readers’ attention—paranormal, with a trademark Kevin J. Anderson comedic twist.

“Death Warmed Over” is the first in a new series introducing private eye/murdered zombie Dan Chambeaux, “Dan Shamble” to his paranormal clientele. Dan takes nearly every case that enters his ‘Unnatural Quarter’ office. From witches suing their publisher for a misprinted spell that went horribly wrong, to a mummy wanting the museum to release him, to a werewolf ensnared in divorce proceedings, Dan tries to help his clients, all while trying to solve his own murder. The story is witty, original, and presents readers with an unbelievably believable world as only Kevin J. Anderson can.

Watch for the original novelette “Stakeout at the Vampire Circus” in November, and the next Dan Shamble novel “Unnatural Acts” this January.

http://www.wordfire.com/

Q) In 1988 when “Resurrection, Inc.” was published, you had little knowledge of what becoming famous would be like. Today, you readily attend conferences to meet established and potential fans. Thank you for that. What has been the greatest joy of becoming a famous author, and the greatest detriment?

A) Authors are the “invisible” sort of famous. I do know many truly famous people, from rock stars, movie and TV stars, producers and directors—but nobody recognizes me on the street. That’s fine with me. Part of the job is to interact with fans directly, whether by Twitter (@TheKJA) or Facebook (The Official Kevin J. Anderson Page), or at numerous conventions, book signings, library talks, etc. I grew up as a fan and attended many such conventions as a fan, and I still feel at home there.

Q) Your wife Rebecca enjoys mysteries. Did she influence “Death Warmed Over”?

A) Rebecca influences everything I write; I talk with her about my projects as I’m thinking about them in the planning stages, she brainstorms with me as I develop the story and characters, and she critiques the draft manuscripts as she reads them. We watch many mystery TV shows, and know the expectations of the convoluted cases as well as the interesting characters. And what can be more interesting (or funny!) than a zombie private detective?

Q) Readers frequently mention your superb and nearly phenomenal ability to create very real detailed worlds in their minds. Where did that skill come from, and how did you hone it to the level of mastery that you possess?

A) It comes from asking questions. If you take the general idea—what if something called the “Big Uneasy” brought back all the usual monsters, vampires, werewolves, mummies, witches, zombies—and you have to ask *then* what? Think about Step Two. Some people would write a story about the monsters coming back. I’m not interested in that. What happens next? So if all the monsters are back, they would have to figure out how to live in society, congregate in the “Unnatural Quarter” where they can seem normal…and they would have a lot of the same problems normal humans have, such as divorces, property disputes, legal difficulties. So, my private detective and his bleeding-heart human lawyer partner have the usual cases with the added complication of fangs, claws, curses, spells, and more.

Q) Obviously, you savor the genres you write in. Still, writers frequently have a genre they would love to explore that their established fans might not be so keen about. What’s yours?

A) I’m well known for my big complex science fiction and fantasy epics, such as the Saga of Seven Suns, my Terra Incognita fantasy trilogy, the Dune and Hellhole books with Brian Herbert. Those are like “War and Peace” with gigantic stories and casts of characters…and I love sinking my creative teeth into them. BUT, in books like that I never get a chance to have fun or just be silly. I do have a good sense of humor (well, at least I think so), and the Dan Shamble series, as well as my BLOOD LITE anthology series of humorous horror, gives me a chance just to be funny, and it’s so liberating. And ridiculous…but in a serious way.

Q) During your early struggles to be published, you once received a trophy as “The Writer with No Future.” Do you still have it?

A) Definitely. It’s right in my office. (Actually, it’s on the toilet tank in the bathroom of my office.) I received it when I was able to produce more rejection slips, by weight, than any other writer at a large conference. I keep it to remind me of the value of awards—what matters most is what the fans and readers think.

Q) Your epic world-building enthralls readers. Yet, in an interview, you alluded to your preference to smaller scale and personal stories involving time travel – the ‘what ifs.’ Will we see more of those types of explorative tales from you?

A) I don’t think it’s an either/or proposition. I love to create a large canvas and a well thought-out original world, where all the details fit together and all the questions are asked. But a giant world in itself isn’t interesting; you have to put interesting people [sic] with interesting problems into the story. I like looking at the whole thing from both the big picture and the small picture. Some of Dan Shamble’s cases involve the possible extinction of monsters everywhere, but he still has to worry about spending enough time with his girlfriend (even if she is a ghost) and pretending to laugh at the really bad jokes his BHF (Best Human Friend) Officer McGoohan tells him. It’s a good balance.

Q) Any parting comments for your readers and those who haven’t yet read your work?

A) I have a lot of different stories, from big space operas to sprawling fantasy epics, to these very funny and light zombie PI novels. I write very quickly, and I keep myself interested by switching gears and writing different things. Try my steampunk “Clockwork Angels,” or my epic “Saga of Seven Suns”…or, for a good time, try “Death Warmed Over.” I’m amusing myself, and I hope to amuse readers as well.

DA Kentner is an author and journalist www.kevad.net

Multiple Award-Winning Editor/Authors Ellen Datlow & Terri Windling

Generally, we readers hold the misconception that editors are the people who let a misspelled word slip onto the pages or altered a writer’s whatever to fit into limited space. Editors are the ones we blame for just about anything that doesn’t look or read right within a book. And, to a minor degree, we’re correct in that belief in regards to copy editors. What we don’t see is what goes on behind the scenes and the invaluable, creative, service editors, in all their varying forms, provide authors and readers. 

Two of the best and most respected editors in the business are Ellen Datlow and Terri Windling. These women don’t just sit at desks, painstakingly reviewing manuscripts for flaws or areas in need of improvement, although that’s an important part of their job. Their love of storytelling and keen sense of what readers want led them to create anthologies – collections of short stories – by some of the most renowned authors we readers have come to enjoy: Stephen King, Peter Straub, Susanna Clark, Neil Gaiman, and Angela Carter, to name a scant few. Datlow and Windling’s work has amassed them a treasure trove of awards, not limited to multiple Bram Stoker Awards, World Fantasy Awards, International Horror Guild Awards, Hugo Awards…the list goes on and on. 

Awards honor a singular event. Be it the Olympics or an anthology of fairy tales, we spectators more than likely view the win as pertaining to that one golden moment of crowning achievement. To the individual receiving the award, that polished disk or framed certificate is the validation of years of labor, sacrifice, sweat, and tears. Such is the case of the thirty year journey of Datlow and Windling. 

On the surface, these editors couldn’t be more different. Ellen Datlow lives in a large U.S. city. Terri Windling, in a small village in the U.K. Datlow enjoys science fiction and horror – Windling,  fantasy and mythic fiction. Datlow adores cats and collects dolls and doll parts – Windling adores dogs and is a dedicated artist. Yet, their opposites have melded in order to create some of the finest and most enduring fantasy and horror anthologies in the marketplace today. 

Snow White, Blood Red, the first of their six volumes of fairy tale retellings, was at the forefront of the modern revival of adult fairy tale literature. Datlow & Windling edited the ground-breaking "Year's Best Fantasy & Horror" volumes together for sixteen years, and Datlow’s recent “The Best Horror of the Year Volume Four” contains some seriously scary stuff. Windling’s The Wood Wife is a Mythopoeic Award winning novel that combines her love of fantasy with her love of the desert. The Green Man: Tales of the Mythic Forest is the editors’ exploration of forest myth and symbolism, and suggested reading for teens and adult alike. There are no boundaries to Datlow and Windling’s creative endeavors. 

Now, After: Nineteen Stories of Apocalypse and Dystopia is being released by Hyperion October 9^th. From Amazon.com: “If the melt-down, flood, plague, the third World War, new Ice Age, Rapture, alien invasion, clamp-down, meteor, or something else entirely hit today, what would tomorrow look like? Some of the biggest names in YA and adult literature answer that very question in this short story anthology, each story exploring the lives of teen protagonists raised in catastrophe's wake—whether set in the days after the change, or decades far in the future. 

There are some people who believe anthologies aren’t as popular as they once were. Read one edited by Datlow and Windling and you will find out just how wrong “some people” can be.

http://www.datlow.com/

http://www.terriwindling.com/ 

Q) The obvious question: What caused the two of you to work together initially, and what defining moment said this was a good idea that needed to continue? 

A) Jim Frenkel created the Year's Best Fantasy & Horror series (published by St. Martin's Press) and he hired the two of us to edit it -- with Ellen handling the horror half of each volume and Terri, the fantasy half. Both of us were living in New York back then, and we knew each other socially through publishing circles, but we'd never worked together before. We liked the experience so much that we then paired up to create the Snow White, Blood Red series...and twenty-five years later we're still editorial partners, and good friends.  

We find that the strength we have as a team is that we both love fantastic literature, but we come at it from opposite directions: Ellen from the dark fantasy and horror end of the spectrum, Terri from the high fantasy and mythic fiction end, with our tastes overlapping somewhere in the middle. This gives the books that we edit together a broader range and diversity. 

Q) Readers have claimed of late that the focus on book editing seems to have diminished in favor of quantity over quality. What is your take on that type of observation? 

A) Are we talking about anthologies here, or book editing in general? If we're focusing on anthologies, then yes, we'd have to agree. These days it seems as if everyone thinks they can edit an anthology—and well, yes, they can, but the important question is: can they edit a good anthology? So many anthologies published by micropresses are just thrown together by people who have no idea what an editor does. (Ellen notes that this is particularly true in the horror field, where it's something she encounters often when reading for the Best of the Year in Horror. ) With the larger publishers, there's an unfortunate trend towards anthologies edited by popular authors...and while that sometimes works (Holly Black's fine anthologies, for example), more often these books are disjointed and disappointing, because writing and editing are very different skills. Our fear is that poorly edited books will turn readers off of short fiction altogether -- which would be a shame.  

Q) How do you decide what the theme of any anthology will be, and how do the two of you resolve disagreements in that decision? 

A) We suggest themes to each other, and then we run with any idea we both like...provided our agent thinks she can sell it! If one of us has an idea that the other isn't keen on, then we always have the option of doing the book by ourselves (we've each published solo anthologies), so really there are no disputes to resolve. 

Q) Keeping a finger on the pulse of readers is a tricky business these days. What barometer do you use to best guess the direction of readers’ interests? 

A) We both read widely and stay abreast of what's going on in the publishing industry. And sometimes our literary agent, whose finger is very much on the pulse of the industry, recommends a theme to us. Our last two anthologies, Teeth and After, were based on themes she suggested. 

Q) You work together, and separately. What defines when you will work together? 

A) Basically we work together on books that we think will benefit from our diversity of tastes. For science fiction, or pure horror, Ellen tends to work solo -- while Terri generally works solo on projects that focus more on the purely fantastic end of the spectrum.  

Both Teeth (our YA vampire anthology) and After (our YA dystopian anthology) are unusual books for us because their themes fall more naturally into Ellen's camp than Terri's. But because these themes are so commercially popular, and thus a bit over-familiar to readers, our aim was to do something fresh and original with the topics. We felt we could do this best together, drawing on our different but complimentary editorial backgrounds. 

Q) How has the onset of e-books altered what you do? 

A) Like most of the publishing industry, we're still figuring this out! The most immediate effect is a positive one: we're able to make a number of our older, out-of-print anthologies available again in e-book form, which gives them new life. 

Q) Any parting comments for your readers and those yet to become familiar with your work? 

A) We create anthologies out of love for the form, and writers write short stories out of love for the form -- nobody makes a lot of money this way, we all do it out of passion and conviction. We create anthologies because we believe in short stories, and we want to find ways to get them into readers' hands. Our ultimate aim is to keep the  market for fantastic short fiction alive and thriving -- and every reader who buys anthologies, or recommends them, or reviews them, is helping to keep it alive too. And this in turn supports the creative evolution of writers both new and established. 

"Nothing can break your heart like a good short story," says short fiction writer Jason Ockert." Since there isn’t a ton of time to make sense of a shorter narrative you can often trick the heart into feeling something before the pesky brain goes to work dissecting, dissecting, dissecting."

“Short fiction seems more targeted [than novels]," says Paolo Bacigalupi (who writes both), " hand grenades of ideas, if you will. When they work, they hit, they explode, and you never forget them."

That's it in a nutshell.

DA Kentner can be reached at www.kevad.net

 

Bestselling Romantic Suspense Author H.C. Brown

Australia’s H.C. Brown’s aunts traced their family lines to William D' Ansie a French (Norman) knight who rode with William The Conqueror. Never one to shy away from inspiration, “Betrothed to the Enemy,” the story of a young Saxon woman forced into marriage with a Norman knight, became H.C.’s debut ebook in the United States. Published now in the U.S., South Africa, Australia, and the U.K., the author’s popularity continues to grow. So much so, she created her own Yahoo.com chat group solely for her fans. 

Not content in any one romantic subgenre, H.C.’s work includes murder mystery, historical, contemporary, science fiction, paranormal…wherever her mind takes her. “Murder by Design” was a novel that placed in a contest and was quickly contracted by Pocketbooks Australia. Her ‘Purr-fect’ erotic paranormal romance series with a historical ambiance captured readers’ attention around the world. 

This prolific grandmother holds a degree from Oxford, taught physics, chemistry, English Literature and History, is an international all breeds cat judge, and an all breeds tutor judge with the Australian Cat Federation. Forty years ago she married an Aussie surfer she had known for a mere three weeks. Their journey through life together is as exciting today as it was that first day on the beach. 

H.C. isn’t content unless she’s writing. To date, she has had twenty-four books published. This year alone she has seen “A Tryst of Fate” and “Lord and Master” published in ebook format. “Sea Games,” an erotic contemporary romance with a twist, is due out Oct 8^th, “Hurt Me Good” (MM BDSM) Nov 5, “Night Games” Dec 17^th, “Jungle Games” Feb 11 2013. “Dragonfae: The Soul Catcher,” the author’s return to her love of romantic paranormal stories, hits the Internet bookshelves Feb 18 2013. And, of course, she has five projects nearing completion as well as a joint erotic series actively in the works with another author. That doesn’t include the completed seven volume novel-length YA warlock fantasy series waiting for H.C. to revise and submit to agents and publishers. 

Good grief. The woman wears me out just talking to her.

http://www.hcbrown-author.com/ 

Q) Where did this insatiable need to write come from? 

A) I have often wondered this myself.  As a child, my mother used to tell me stories all the time.  She would write me little stories and sign them “from Fairy Blue Eyes”.  I think my bend toward fantasy came from those early years. I had a gift for writing from an early age and won a scholarship at the age of ten to a prominent English Girls School. There I immersed myself in literature and today I still read four to six books a month. 

Q) Okay. Why haven’t you borrowed from your own romantic interlude with a surfer and written that story? We would love to read it. 

A) Romantic interlude? He swept me off my feet —literally. The surf here is dangerous. The rips can drag a person out to sea in a foot of water. I had arrived in Australia a month previously and had no idea of the dangers. A wave knocked me over and I slid between his legs. A bronzed muscular arm wrapped around my waist.  I looked up into his dark blue eyes and hoped he didn’t have a “sold” sign hanging around his neck. I guess writing about this happening to someone else would ruin the memory. Actually, my husband is in many of my stories. Not as a character per say but I instill his attitude and respect toward women in my heroes. 

Q) You were born in England, but moved to Australia. What prompted that decision? 

A) I lived in London. I loved the history but hated the cold and the constant gray sky. I had family in Australia and in Queensland, the sun shines seven out of ten days. The opportunities for a career were outstanding. 

Q) You stay so busy, how do you and your husband keep your own romance smoldering? 

A) We are together 24/7.  He is an artist and specializes in outback Australian scenes mostly the red center. He paints and I write. We live close to the beach and you can usually find us walking hand in hand most mornings. Our romance has never faltered and we’ve lived through some crazy times. I look at him all the time and think I am the luckiest woman in the world to have him. 

Q) What caused you to actually sit down and write a story, then offer it for publication? 

A) At first, I wrote the warlock series for my children with no intention to publish. Publication came to me with Murder by Design as you mentioned earlier.  Readers enjoyed my story and wanted more. I take great pleasure in writing; it is like breathing to me now—an essential part of my life. 

Q) Any parting thoughts for your readers and those yet to be introduced to your work? 

A) For my readers: I value every one of you. Your emails and support are food for my Muse. To those who haven’t read my work: If you like strong yet gentle heroes and heart stopping romance, you will enjoy one of my stories.

DA Kentner is an author and journalist www.kevad.net

Overcoming Life’s Hurdles - 13yr old Rapper Lil JaXe

Jake Zeldin stutters. Unfortunately, some people view “different” as weakness, and Jake became a target for bullies. Sadly, the bullying wasn’t limited to his peer group. Teachers reportedly joined in with comments such as “I don't know what is more annoying, that voice or your stutter.” That was two years ago, and Jake Zeldin now stands on the brink of international fame. 

Jake discovered rap and a freedom not just of his mind, but from his stutter as well. When Jake picks up a microphone, he transforms to Lil JaXe, a talented rapper who has garnered the attention of the music industry and fans alike. Lil JaXe is set to headline the the Canadian Urban Music Conference Sept. 22nd (http://canadianurbanmusicconference.com/). He is also performing at Free the Children’s WE day (http://www.weday.com). His mission? To show others who have been bullied they are not alone. 

With over 1.5 million views of his YouTube video, Jake has also been featured alongside rappers Mos Def and Talib Kweli on Pacha’s Pajamas, a children’s hip-hop album about the environment released in July. This amazing young man is definitely someone to keep an eye on as he performs across the U.S. helping organizations combatting bullying and other concerns that affect us all.

www.LilJaXe.com 

I’m stepping aside now to allow my grandsons Kyle and Brennan Kentner to ask the questions. 

Q) How scared were you the first time you got up on stage? 

A) To be honest when I get up on stage it makes me feel whole. I can communicate like everyone else, it makes me feel confident and liberated. I feel like I was born to perform. 

Q) Do you still attend the same school where you were bullied by your teachers, or are you now privately tutored or home schooled? 

A) The first time I was bullied by a teacher was in Grade six. I no longer go to that school but I visit sometimes and I like to show him that it was actually him putting me down that actually motivated me to get to this point. I do attend a public school where I was bullied again last year however again every time I get pushed down it makes my drive to succeed stronger and stronger. 

Q) Do people treat you differently now that they know you have such a wonderful talent and have become so well-known? 

A) People are amazed by my ability and talent and allot of kids think it is cool that I meet tons of celebrities and get to hang out and rap for them. I still get teased sometimes by people who don't believe. 

Q) Are you a free-style rapper, or do you write your own raps? 

A) I do both. I love to free style and think of things on the spot and it allows me to communicate easily and say things that I want to say without any problems. I also love to free style because it really shocks people to hear the difference from my normal talking.
I have been writing my own songs now for three years. I get my inspiration from things that happen around me and things that I go through. I have written five songs now and I hope to continue. 

Q) How old were you when you figured out rapping was the easiest way of communicating? 

A) I went to summer camp when I was 10, and was asked to join a rap battle.
They gave me a word and I was to create a rap around it. I could not believe that I was ever able to do that without stuttering. From that time on, I never stopped and I never want to stop! 

Q) Do you plan on staying solo, or do you have a goal to merge your talents with other rappers and form a rap band (such as the Wu-Tang Clan or the more "old school" Run DMC)?

My goal is to be solo and to continue to rap and write incredible inspirational songs and to do features for other artists. 

Q) Do you only use rap to entertain, or do you ever "rap" to communicate with friends and family? (i.e. Just normal dinner conversation) 

A) I mainly use rap to entertain. I wish it was that easy to incorporate it with my every day speaking but it is hard to always find things that rhyme. I did recently incorporate the rap into my presentations in school and it is definitely allot easier for me to present in front of large groups when I am rapping.

Kyle and Brennan are the grandsons of author DA Kentner www.kevad.net

 

Historian, Author, and Journalist St. Sukie de la Croix

St. Sukie de la Croix is an internationally published journalist, columnist, fiction author, playwright and photographer. Besides having written dozens of short stories and poems for anthologies and magazines, Mr. de la Croix has seen his dance plays “A White Light in God’s Choir” and “Two Weeks in a Bus Shelter with an Iguana” take life on stage. Teaming up author Rick R. Reed, the prolific duo produced the novel “Ambrose and the Waif,” a compelling story of madness, greed, love, and murder revealed through a series of letters. 

Born in Britain, Sukie became a recognized journalist writing articles for underground and alternative presses. After he moved to the U.S., his frank, outspoken viewpoint of the world around him, as well as his photographic skills, landed his work in numerous periodicals, including a ten week historical series in the Chicago Tribune. 

Sukie’s love and passion for history began his ten year journey into Chicago’s past, culminating in the book “Chicago Whispers: A History of LGBT Chicago before Stonewall.” Obviously, in order to track events that began in the 1670s, Sukie spent hours on end researching archives, studying photographs and artwork, and piecing together long silenced voices to reestablish a forgotten and many times suppressed evolution of LGBT history in the Windy City. From civil war vice dens to Jane Addams (founder of Hull House) to artists and authors to playwright Lorraine Hansberry (“Raisin in the Sun”), Sukie examined every pebble he could find that might reveal a grain of fact. But, true to his character, Sukie spent as much time on the street, tape recorder in hand, interviewing people and capturing their stories and lives for posterity. Whatever event Chicago could produce, Sukie was there. 

On Rick R. Reed’s recommendation, I purchased a copy of “Chicago Whispers.” What I found was much more than the “abc” style documentation readers sometimes find in history books. Sukie has a voice, a very powerful and distinctive voice, that not only resonates with the reader but lingers in our minds like a trusted friend sharing his time and experiences, encouraging us to ponder the past’s defeats and victories, and accept that history is a signpost to tomorrow.

“Chicago Whispers” is indeed a book that ends with the reader’s beginning.

http://chicagowhispers.com/ 

Q) I am in awe at the diligence required to bring this story to life. What compelled you to begin your decade long journey that became “Chicago Whispers”? 

A) When I visited a gay bookstore and was told there was no book about the history of  the LGBT community in Chicago, I decided to write one myself. Having said that, it's easy to start writing a book, but finishing a book is something else entirely. The most common observation I've received from readers is about my attention to detail, and that came from a blind stubbornness to "get it right." I'm very aware that the lives of LGBT's who have gone before me should be treated with respect, and therefore I tried to keep my own analysis and opinions out of it and let the documents from the period speak for themselves. I've stayed very close to my sources. 

Q) Chicago is notorious for its “that’s Chicago” attitude of social and political surrender. How did you manage to burrow through that barrier? 

A) Corruption has been, and still is, rife in Chicago. It's a part of the city's make up and is what makes it so fascinating. I interviewed 70-year old drag queens who talked about working for the mob with all the ease of a current 20 year old saying they're a barista at Starbucks. I was also shocked by the extent of police corruption and I tried to find something positive to write about them, but the truth is they were vile, as were the politicians, the lawyers, the judges, and organized crime. LGBT's were just a cash cow to them. 

Q) You went beyond the obvious, digging deep into political figures, celebrities, and all races and genders. What was the greatest difficulty you had in piecing together Chicago’s LGBT past? 

A) I tried to keep the chapters in some sort of timeline, but certain people and issues overlapped into different chapters and periods in time. After much gnashing of teeth and pulling my hair out, I decided to just keep writing and worry about chapters later. In the end it all fell into place on its own. I focused on one issue, one person, at a time, and researched until the well was dry. Uncovering gay history is more detective work than anything else, so I waxed my mustache and used my "little grey cells" like Hercule Poirot. 

Q) It is a bit ironic that a ‘Brit’ did what no one else had. Do you believe your foreign roots helped or hindered your efforts? 

A) History books are written by people who weren't there. American authors write about European history all the time, and vice versa. Books about the American Civil War and the Roman Empire are written by people who weren't there. Helped or hindered? Never thought much about it until reporters started bringing it up. I do think the accent helped me in gaining access to some libraries that required a membership card I didn't have.  

Q) “Chicago Whispers” doesn’t end on a contemporary note. How soon can we look forward to the next installment? Yes, we want one. 

A) I've written the sequel, which is now with my publisher, the University of Wisconsin Press. It covers the period June 1969 until June 1975 and documents the radical Gay Liberation Front and the making of a gay community in Chicago. I've also just completed a memoir of growing up a little sissy boy in Post World War II England, and I'm currently writing a novel about lesbians in 1924. After that I'm writing a book of essays. I'm busy.  

Q) Any parting comments for those who haven’t read your work yet?  

A) My mission in writing Chicago Whispers was partly to reclaim the contributions made by LGBT's to the culture of a great American city. The words to "America the Beautiful" were written by a lesbian after she visited Chicago, Katherine Lee Bates. That song belongs to us, and it's a lesbian song. Let's take it back. I also wanted to document the lives of a wondrously diverse group of people whose only common bond was their sexuality, but who somehow carved a niche for themselves in a society that rejected them. And I also wanted to retrace the path of those who set out on the long road to our liberation.

DA Kentner is an author and journalist www.kevad.net

Sh*tty Moms Kilmartin, Moline, Ybarbo, & Zoellner

Four ladies decided to write the book on being a sh*tty mom. Literally.

Potential readers may find the title inappropriate, but that’s only because they haven’t opened the jacket to discover our own complicit involvement in providing literary fodder for the creative process. Basically, that means the authors, social peeping Thomasinas that they are, wrote the book “Sh*tty Mom: The Parenting Guide for the Rest of Us” about their observations of everyday parenting, branding our foibles and unexpected child-rearing victories with their unique sense of humor, and are now selling those observations back to us. And, yes, that’s a very good thing. 

From the authors’ bios: 

Laurie Kilmartin is an Emmy-nominated writer for CONAN on TBS, and, as a stand-up comedian, has appeared on CONAN, Last Comic Standing, Jimmy Kimmel Live, and Comedy Central. She lives in Los Angeles with her son. 

Karen Moline is a journalist and author who has written more than two dozen nonfiction books, as well as two novels. Karen and her son live in New York City.

Alicia Ybarbo is a four-time Emmy award–winning producer. She has worked on NBC’s TODAY show since 2000. She lives in New York City with her husband and two children. 

Mary Ann Zoellner is a three-time Emmy award–winning producer whom has worked at NBC news for 16 years. She lives in New York City with her husband and two daughters. 

With topical topics such as ‘Your Children Want to Ruin You,’ ‘It’s Come to Your Attention That Your Kid Is Merely Average,’ ‘Yes, the Babysitter Is Judging You,’ ‘How to Get Rid of a Mom Who Wants to Stay Over During the Entire Playdate,’ ‘How to Drop Off Your Sick Kid at Daycare Before the Teacher Figures It Out,’ and, ‘He Wants Sex; You Want to Sew Your Legs Shut for Ten Years,’ there truly is an acceptable psychosis for each of us. 

This book is funny. So, here’s the warning label: Do not read while taste testing a latte’s temperature with an infant on your lap. Do read during a PTA meeting when Mrs. Perfect is extolling her child’s impact on the education system so you have something to blame your hyena laugh on. Do not read at your mother-in-law’s. No matter how you try to explain it, she’ll know you were laughing at her. Again.

http://shttymom.com/ 

“Hello, this is Laurie, I'm gonna respond for all of us if that's ok.” 

Q) How did the four of you not just decide to write together, but to write this book? 

A) MaryAnn, Alicia and Karen came up with the premise, Sh*tty Mom. They wanted a parenting book that was funny and also a response to what seems like one new book a month that terrifies moms into thinking they are doing everything wrong. As a standup, that's exactly how I treat motherhood onstage, so right away, we were on the same page. 

Q) The obvious question; How were the individual topics selected for full frontal assault? 

A) I just took an inventory of my life and notice that I hid a lot of my parenting tricks from people, because they sounded wrong. Anytime I felt like, "I hope no one finds out I do this," I turned it into a chapter. 

That's basically what the book is. So, yes, I do leave my son's breakfast out the night before so I can sleep in on Saturdays. Yes, I have no idea if he was a good sleeper as an infant because as soon as I'd put him down, I'd drown out any noise with an industrial-strength fan. Yes, I barricaded him in his room once so I could get through a conference call without anyone knowing I was working from home with a sick toddler. And I still carry the shame of being yelled at by a naked woman for bringing my 4 year old son into the women's room at the Hollywood YMCA. 

Q) I'm feeling obvious. Any plans for another joint venture? 

A) We all have kids to put through college, we'll do anything. 

Q) The four of you are professionals, each carving your own deserved place in the entertainment industry. Briefly, please describe the give and take process required to pen this book without the use of scorpions hidden in napkins and jalapeno laced sour cream. 

A) Before we sold the idea, Mary Ann, Alicia and Karen had some thoughts, and I ran with them. After we sold the book, I sequestered myself in Los Angeles and cranked it out in about 5 months. At least half of Sh*tty Mom was written on weekends, at a McDonalds in Burbank, while my kid was in the Play Place.  (At this point, there's nothing I can't tune out.) Since we four are of like mind, they left me alone to put it all together. It helped that we were on different coasts. None of the three New Yorkers wanted to talk to me at 11 PM Eastern, and I was too bitchy to converse with at 6 AM Pacific. 

Q) While this question is cliché, the emotions involved never are. Humor aside, what is the one attribute you possess that you hope to pass on to your own children? 

A) Just looking at the world economy, I think we all hope our kids grow into adults who are able to forage for food and sew their own clothes. 

Q) Any parting thoughts for potential readers? 

A) You're a better mom than you think you are, and your neighbor is worse.

DA Kentner is an author and journalist www.kevad.net